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1: Diagonal Ribbon Mark

With this design, I wanted to build an 'S' mark using smooth curves and clean, parallel lines. The structure relies on clean geometry and negative space to form the letter shape. I included the color grid to prove the design functions across different contrast levels. I want to show that the fine lines don't get lost when reversed on dark backgrounds or shrunk down to a smaller scale.
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2. Vertical Wave Mark

For this project, I designed an 'S' identity centered around two bold, parallel diagonal beams cutting through the middle. To complete the letterform, I framed the top and bottom with heavy, sweeping curved blocks that follow the same angle. I created the multi-color matrix to evaluate how these solid geometric shapes interact when the colors are inverted. I want to make sure the spacing between the central bars and the outer blocks remains perfectly clear at any size.
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3. Chi Rho Monogram

This project is a modern digital rendering of the Chi Rho monogram, which overlays the first two letters of the Greek word for Christ. I focused on crisp, precise lines and applied a gold 3D texture to make the symbol stand out. The goal was to take an ancient emblem and present it as a polished, high-contrast graphic.

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4. Tau Rho Monogram

For this design, I wanted to interpret the historic Tau Rho monogram into a clean, modern asset. The mark combines the Greek letters Tau and Rho to form a symbolic cross structure. I chose a smooth, golden gradient to give the vector shape depth and dimension, pairing it with classic typography underneath to emphasize its clean, traditional look.
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5. Magnolia Springs Dental Logo

With this design, I wanted to interpret the magnolia flower into a modern emblem for Magnolia Springs Dental. The structure relies on sharp geometry and negative space, overlapping curved black blades to reveal a  six-petal flower right in the center. I built the multi-color grid to ensure the mark stays legible and holds its form across different color inversions and contrast changes. This proves the fine lines don't get lost when scaled down for smaller digital screens or print materials.
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